Trent University Celebrates Public Sculpture At Campus Entrance

Trent University celebrated the art piece, ‘Potential,’ three pinecone sculptures at the entrance of the Symons Campus and was created by artist Floyd Elzinga.

Dr. Leo Groarke, Trent's president and vice-chancellor (left); Floyd Elzinga (middle) and Suzanne Bailey, Trent’s associate dean of graduate studies (right) with ‘Potential.’ Photo by David Tuan Bui.

The art piece was completed in April of last year. Elzinga took about a year to complete them. The sculptures were made of weathering (Corten) steel which adds a uniqueness to their colour from a scientific standpoint.

“It's a specific alloy of steel that develops rusty oxidized patina but that patina actually prevents it from deteriorating so that 'rust' actually prevents it from corroding further which is an 'irony,’” explained Elzinga.

‘Potential’ is appropriate for a campus with pine cones being the theme for the piece according to the Beamsville, Ont. artist.

“One of these pinecones would have 100 or more seeds in it and the potential refers to is that each of those seeds, the potential that they have inside them to become 100 trees that could go elsewhere,” said Elzinga. “It's that metaphor representing so much more life that can come out of it and I think it reflects well on the University. Students come to learn things and they are those seeds that take that knowledge to set their roots where that is.”

Family, friends and Trent faculty were on hand to celebrate the occasion of Elzinga’s accomplishments.

The sculpture was originally announced on National Philanthropy Day (Nov. 15), is the latest addition to the University’s Public Sculpture Initiative (PSI) which offers a nationally significant collection of public art, supported by philanthropy. 

Trent’s PSI was initiated by David James and his wife, Lili de Grandpré, and is supported by Jalynn H. Bennett's legacy gift and other donors and artists according to the University.

The work was commissioned after Suzanne Bailey, Trent’s associate dean of graduate studies, suggested Elzinga to Dr. Leo Groarke, Trent's president and vice-chancellor. The latter was immediately on board.

“Suzanne reached out to me on behalf of Leo and said, ‘we would love to see something by Floyd,’” said Elzinga. “It was at a point in my career that this was something I could afford to do and I think it's a great solution for that University to build a collection.”

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