The ReFrame Film Festival reveals a slate of over 60 social justice documentary films for the upcoming virtual festival from Jan. 26 to Feb. 3.
Photo courtesy of ReFrame Film Festival.
Photo courtesy of ReFrame Film Festival.
Photo courtesy of ReFrame Film Festival.
Photo courtesy of ReFrame Film Festival.
Photo courtesy of ReFrame Film Festival.
Photo courtesy of ReFrame Film Festival.
Photo courtesy of ReFrame Film Festival.
Photo courtesy of ReFrame Film Festival.
The virtual festival features an extensive list of films on the International circuit includingSubject, which explores the life-altering experience of sharing one's life on screen through the participants of five acclaimed documentaries, Be My Voice about exiled journalist Masih Alinejad who urges Iranian women to rebel on social media, The Seeds of Vandana Shiva presenting the incredible life story of the Gandhian eco-activist and Devil Put The Coal In The Ground, which looks at the devastation brought on by the coal industry and its decline.
Canadian premieres include Norwegian Headacheabout a historic lawsuit that grants unborn Norwegians the right to a clean environment and Freedom Hill which explores the environmental racism washing away the town of Princeville, North Carolina. Canadian feature films include The Colour of Ink following acclaimed Toronto artist Jason Logan as he creates incredible inks from foraged plants and found objects and Love in the Time of Fentanyl about a renegade safe injection site in Vancouver's Downtown Eastside.
Local short films include the world premiere of Rewilding the Classroom by educator Cam Douglas and filmmaker Rodney Fuentes, about aligning educational practices with the reality of environmental crises through the Youth Leadership in Sustainability program and The Butch and the Baby Daddy, by Trent professor Karleen Pendleton Jimenez about a trans/butch lesbian who asks her close friend to help her build a family.
ReFrame and Artspace have collaborated for an in-person exhibition on-view at Artspace from Jan. 25 to Feb. 25. Featured projects include What Fools These Mortals Be, a three-channel video installation that reimagines Shakespeare’s A Midsummer Night’s Dream in a series of tableaux vivants (living pictures) performed by formerly incarcerated women and Intravene, an immersive audio experience about the opioid crisis. For viewing times and additional live performing information, check out the ReFrame and Artspace websites.
The festival is also hosting an in-person opening night screening at Showplace Performance Centre on Jan. 26. Opening night will feature All the Beauty and the Bloodshed, the critically acclaimed film about the life and activism of renowned photographer Nan Goldin. Tickets are sold separately and are not available as part of the virtual festival.
Audiences across Canada can stream the documentary films from Jan. 26 to Feb. 3.
The full program can be found on the ReFrame website, with virtual passes and ticket packs available now. Tickets for individual virtual films will be available as of Jan. 11.